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	<title>blue and brown books &#187; holism</title>
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	<description>is (or are) a series of notes and informal discussions about ideas</description>
	<pubDate>Fri, 03 Oct 2008 17:52:35 +0000</pubDate>
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		<itunes:summary>is (or are) a series of notes and informal discussions about ideas</itunes:summary>
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		<itunes:category text="Society &amp; Culture"/>
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		<title>If You Can Read This, You Are Already Presupposing Many Complex Conceptual Frameworks.</title>
		<link>http://blueandbrownbooks.com/2008/09/15/if-you-can-read-this-you-are-already-presupposing-many-complex-conceptual-frameworks/</link>
		<comments>http://blueandbrownbooks.com/2008/09/15/if-you-can-read-this-you-are-already-presupposing-many-complex-conceptual-frameworks/#comments</comments>
		<pubDate>Sun, 14 Sep 2008 21:59:03 +0000</pubDate>
		<dc:creator>aaron</dc:creator>
		
		<category><![CDATA[books]]></category>

		<category><![CDATA[holism]]></category>

		<category><![CDATA[thesis]]></category>

		<category><![CDATA[thoughts on...]]></category>

		<guid isPermaLink="false">http://blueandbrownbooks.com/?p=432</guid>
		<description><![CDATA[This was a mid-term paper I wrote in April of 2007. It is an examination of T.H. Green&#8217;s Prolegomena to Ethics. I had forgotten about it, and while digging through my old material I happened upon it and was extremely impressed with myself. It&#8217;s probably one of my favourite things that I&#8217;ve written. This midterm [...]]]></description>
			<content:encoded><![CDATA[<p style="margin-left: 0.06in; margin-right: 0.06in; text-align: left;"><strong><span style="font-size: x-small;">This was a mid-term paper I wrote in April of 2007. It is an examination of <a title="follow along on books.google.com" href="http://books.google.com/books?id=gioLAAAAYAAJ&amp;printsec=frontcover&amp;dq=prolegomena+to+ethics" target="_blank">T.H. Green&#8217;s <em>Prolegomena to Ethics</em>.</a> I had forgotten about it, and while digging through my old material I happened upon it and was extremely impressed with myself. It&#8217;s probably one of my favourite things that I&#8217;ve written. This midterm paper entire encapsulates what I&#8217;m attempting to draw out in my thesis on Charles Taylor and I think really benefits the &#8216;Holism&#8217; project I&#8217;ve been trying to articulate recently. I intend to go back through several of my old papers throughout my research this term and will let other projects happening here fall to a lower priority while I&#8217;m finishing my honours degree. I hope these coming updates will still be entertaining.</span></strong></p>
<p style="margin-left: 0.06in; margin-right: 0.06in; text-align: center;"><img style="vertical-align: middle;" src="http://blueandbrownbooks.com/wp-content/uploads/2008/09/313tpjr07cl_sl500_aa240_.jpg" alt="" width="240" height="240" /></p>
<p style="margin-left: 0.06in; margin-right: 0.06in; text-align: left;"><span style="text-decoration: underline;">If You Can Read This, You Are Already Presupposing Many Complex Conceptual Frameworks.</span></p>
<p class="western">In the <em>Prolegomena to Ethics</em> T.H. Green, speaking to us from 1883, offers a different way of thinking about what a person is. What Green seems to salvage (and by ‘salvage’, I mean ‘preemptively prescribe’) is an account of the individual that is neither isolated from the exterior world, nor biologically determined to carry out their pre-set performances. For Green, a person is not an empty vessel, and knowledge is not a substance in which it might contain. We have rich and developed set of tools as soon on as we are conscious.<span id="more-432"></span></p>
<p class="western">What follows in this paper is a closer examination of Green’s account of person, and how it differs greatly from what we think of in our contemporary sense. It will be interesting to consider the reasons why this notion has been largely left behind. Although I will not discuss this too much here in this paper, I might offer the consideration that it is the fault of the modern distaste in metaphysics, in favour of self-creation and self-truths.</p>
<p class="western">However inadequate his metaphysical setup<sup><a class="sdfootnoteanc" name="sdfootnote1anc" href="http://docs.google.com/RawDocContents?docID=dhpjxdds_14frjn9p&amp;justBody=false&amp;revision=_latest&amp;timestamp=1221428446380&amp;editMode=true&amp;strip=true#sdfootnote1sym"><sup>1</sup></a></sup>, what is important to take away from Green is the stark contrast to the liberal view of persons that we have today. According to Green, our focus ought to be on how we consider context, cause and intention in the process of developing our moral selves. With some development and buttressing, a proper criticism of those liberal “preferences” might be made. Green had these philosophical problems coming and attempted to show a framework for how this incoming view would ultimately be problematic.</p>
<p class="western">Green holds that we rely heavily on our social institutions and structures for the very base of our understandings of the world. Through this framework we are then made aware of what the self is and how we are cognitive ‘users’ a complex conceptual framework.</p>
<p class="western" style="margin-left: 0.5in; margin-right: 0.5in;"><span style="font-size: x-small;">The common objects of experience… the particular things we perceive, this flower, this apple, this dog – in the only sense in which they are objects to us or are perceived at all, have their being only for, and result from the action of, a self-distinguishing consciousness. </span></p>
<p class="western" style="margin-left: 0.5in; margin-right: 0.5in;"><span style="font-size: x-small;">As perceived, they consist in certain groups of facts, which again consist in possibilities of sensation, known to be related in certain ways to eachother and to some given fact of sensation. (§63)</span></p>
<p class="western">The fact that we even perceive these things as objects suggests that we have some kind of object-oriented calibration of how we navigate the world. Furthermore, the organization and assumption of further concepts is achieved by a kind of process of inference, using the existing information as arbitrary (in the objective sense) and filling the empty spots in.</p>
<p class="western">Knowledge is a kind of constant regurgitation of our prior experiences. It is an internal <em>knowing that</em>, in the sense that our every day experiences are constantly adding and checking our system of belief. This is a process of compounding networks of concepts that create a framework of what the world is.</p>
<p class="western" style="margin-left: 0.5in; margin-right: 0.5in;"><span style="font-size: x-small;">The most primitive germ from which knowledge can be developed is already a perception of fact, which implies the action upon successive sensations of a consciousness which holds them in relation, and which therefore cannot itself be before or after them, or exist as a succession at all. (§70)</span></p>
<p class="western">We <em>do</em> knowledge, a person is a knowledge-er. All of these aspects are entirely context dependant, and are occurring all together, at all times. Everything together, all at once.</p>
<p class="western">We begin to see how this might differ from our modern conception of self when applying this to how we go about living according to our moral standards. The process of our moral beliefs is typically seen as some combination of our desire interests in dialogue with our rational ones.</p>
<p class="western" style="margin-left: 0.5in; margin-right: 0.5in;"><span style="font-size: x-small;">Sometimes desire and reason have been represented as inviting the man in different directions, while the will has been supposed to decide which of the two directions shall be followed. (§116)</span></p>
<p class="western">This is the typical form of morality of which we are familiar. The idea that ones heart can be in the ‘right place’, or that our minds can ‘say’ things that are different than other parts of our anatomy.</p>
<p class="western">Green makes a case that these distinctions of sensation, or feeling, and desire are not objects of our consciousness that differ in <em>kind</em>. Instead, these objects require a consciousness to process them as sensations, feeling or desire to begin with. We only make sense of these objects as they are conscious objects that relate to the self, just as we are only able to make sense of our world spatially if we are presupposing an object-oriented world.</p>
<p class="western">There is a difference here between the occurring of an object of consciousness and the <em>act</em> of organizing and articulating those objects. The world only exists as we are acting upon it in this way.</p>
<p class="western" style="margin-left: 0.5in; margin-right: 0.5in;"><span style="font-size: x-small;">The real agent called Desire is the man or self or subject as desiring; the real agent called intellect is the man as understanding, as perceiving and conceiving; and the man that desires is identical with the man that understands. (§129) </span></p>
<p class="western">It is problematic to talk about the objects of consciousness as though they are responsible in the decision making process, when we must always consider the <em>subject</em> of which they are the object of. This is the subject that is already rich and complex in its development of a conceptual framework. To assume that an inner dialogue between one’s “quasi-personifications” (§116) is to entirely ignore the process in which how our decisions are made.</p>
<p class="western">Given that objects of consciousness are functions of the same intellectual tools that we use to make our decisions, moral or otherwise,</p>
<p class="western" style="margin-left: 0.5in; margin-right: 0.5in;"><span style="font-size: x-small;">It lies in the view that in all conduct to which moral predicates are applicable… whether virtuous or vicious, expresses a motive consisting in an idea of personal good.(§115)</span></p>
<p class="western">We are interested here in how all of these objects of consciousness are functions of the same intellectual tools that we use to make decisions.</p>
<p class="western">
<p class="western">We always make decisions based on what we think is best.</p>
<p class="western">
<p class="western">A moral life, and the answering of moral consciousness is then something that is not able to achieve with the individual, given the social process that it is.</p>
<p class="western" style="margin-right: 0.06in;">It is important to note the difference in treating causality as intentional rather than mere occurrence in Green. That our beliefs are come to for specific reasons</p>
<p class="western" style="margin-right: 0.06in;">We are already working out moral questions, as one reads this, and before, and after, these are always in the process of being checked and re-checked.</p>
<div>
<p class="sdfootnote-western"><a class="sdfootnotesym" name="sdfootnote1sym" href="http://docs.google.com/RawDocContents?docID=dhpjxdds_14frjn9p&amp;justBody=false&amp;revision=_latest&amp;timestamp=1221428446380&amp;editMode=true&amp;strip=true#sdfootnote1anc">1</a><span style="font-size: x-small;"> Ultimately, I don’t think it is Green’s Metaphysics that fail him, but instead, I would make a case that Hegel, before and after his death, was largely misread by the intellectual community at large. This might be another explanation for his being over-looked.</span></p>
</div>
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		<title>Privacy and/in Property</title>
		<link>http://blueandbrownbooks.com/2008/06/02/privacy-andin-property/</link>
		<comments>http://blueandbrownbooks.com/2008/06/02/privacy-andin-property/#comments</comments>
		<pubDate>Mon, 02 Jun 2008 09:46:41 +0000</pubDate>
		<dc:creator>aaron</dc:creator>
		
		<category><![CDATA[holism]]></category>

		<guid isPermaLink="false">http://blueandbrownbooks.com/?p=325</guid>
		<description><![CDATA[In reference to the previous discussion of Intellectual Property, this is not to be confused as an argument of art being for art&#8217;s sake. Keeping in mind that the term &#8216;art&#8217; was only really used for lack of a better term for &#8216;the expression of ideas&#8217;, ideas for the sake of ideas is more of [...]]]></description>
			<content:encoded><![CDATA[<p>In reference to the previous discussion of <a href="http://blueandbrownbooks.com/2008/04/10/intellectual-property/">Intellectual Property</a>, this is not to be confused as an argument of art being for art&#8217;s sake. Keeping in mind that the term &#8216;art&#8217; was only really used for lack of a better term for &#8216;the expression of ideas&#8217;, ideas for the sake of ideas is more of a correct way to put the goal of putting this argument forward.</p>
<p><a title="L.H.O.O.Q. (1919) by Marcel Duchamp" href="http://en.wikipedia.org/wiki/L.H.O.O.Q." target="_blank"><img class="alignleft" style="float: left;" src="http://upload.wikimedia.org/wikipedia/en/6/6e/Marcel_Duchamp_Mona_Lisa_LHOOQ.jpg" alt="" width="188" height="300" /></a></p>
<p>More important is that this notion ought to be taken as an argument for ideas, their production and sale as a hyper-pragmatical and transparent process. That we are making sure that what we say is important and productive, and that we are doing these things for good and productive reasons.</p>
<p>This is part of the &#8216;holistic&#8217; notion that ought to be hammered out a bit more before continuing. To begin with, we are attempting to eliminate the idea that we have a split between the &#8216;private&#8217; and &#8216;public&#8217; selves, and that these selves interact with one another and the end result is a kind of morality. The idea of living &#8216;morally&#8217; this way in a kind of contractual obligation, is one that we in the capitalist-liberal tradition rest on how our private person acts in public, that they are different in kind from one another and that we rely on other public selves to keep our public self in moral check, even though our private self might want to murder/maim/destroy other public selves.<span id="more-325"></span></p>
<p>The goal of this <a href="http://blueandbrownbooks.com/category/holism/">Holism</a> series is to show the importance of living publicly, at all times in all ways. It is to explore the notions of a world without a private self (not necessarily an absence of private things or matters, but the absence of privacy from other persons in language or thought).</p>
<p><a title="Piss Christ by Andres Serrano" href="http://en.wikipedia.org/wiki/Piss_Christ" target="_blank"><img class="alignright" style="float: right;" src="http://upload.wikimedia.org/wikipedia/en/d/de/Piss_Christ_by_Serrano_Andres_%281987%29.jpg" alt="" width="198" height="284" /></a></p>
<p>Perhaps it hasn&#8217;t been best to begin here, but rest assured that what is being suggested is in line with what has already been established and explored in the rest of the <a href="http://blueandbrownbooks.com/category/a-cat-named-schrodinger/">A Cat Named Shrodinger</a> series.</p>
<p>Soon to come will be a discussion directed to privacy itself, to hopefully clarify some issues, but keeping with the theme of intellectual property, for now let&#8217;s find the bridge to these two concepts of Privacy and Property.</p>
<p>Applying the idea of a public space of consciousness and a public responsibility in creation we then find that the sale and protection of such items to a the enth degree is not consistent with the operations of our selves in the world. There is no claim to a solution being presented here, really, except to emphasize the importance of the <a href="http://creativecommons.org/">Creative Commons</a> organization and the movement of <a href="http://en.wikipedia.org/wiki/Copyleft">CopyLeft</a>. The shareability offers so much more in collaboration and creativity than clip-art libraries and closed-off art galleries.</p>
<p><a title="Fountain by Marcel Duchamp" href="http://en.wikipedia.org/wiki/Fountain_(Duchamp)" target="_blank"><img class="alignleft" style="float: left;" src="http://upload.wikimedia.org/wikipedia/commons/thumb/f/f6/Duchamp_Fountaine.jpg/437px-Duchamp_Fountaine.jpg" alt="" width="195" height="265" /></a></p>
<p>The goal of this is merely to question and to have the artist question their role in their creation and subsequently, their deservedness of any monetary gain derived. Given these parameters set on the importance of a public consciousness, how is it possible to expect payment for something that is technically in the terms of existing property theory not yours and not created by only you.</p>
<p>Treating property as currency is a threat. The threat is to education at large in forming and fostering a social system that is not dependant and obsessed with the prisoner&#8217;s dillema of self-interest and suspicion. It is not the case that art can&#8217;t be a profession, but just a question of whether, given the outline of what we know makes a person, that art as a profession is a profession at all.</p>
<p>Are we, all of us, so proud of what we do?</p>
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		<title>Intellectual Property</title>
		<link>http://blueandbrownbooks.com/2008/04/10/intellectual-property/</link>
		<comments>http://blueandbrownbooks.com/2008/04/10/intellectual-property/#comments</comments>
		<pubDate>Thu, 10 Apr 2008 16:25:54 +0000</pubDate>
		<dc:creator>aaron</dc:creator>
		
		<category><![CDATA[holism]]></category>

		<guid isPermaLink="false">http://blueandbrownbooks.com/?p=227</guid>
		<description><![CDATA[Art is the expression of ideas.
What are we doing when we engage in the activity and publishing of art or ideas? Here I&#8217;m using &#8216;Art&#8217; in an extremely broad sense, far more broad than is typical. I&#8217;d qualify anything from fiction, non-fiction, painting, journalism, photography, patents, or proofs; intangible, or seemingly intangible property is what [...]]]></description>
			<content:encoded><![CDATA[<p><strong><em>Art is the expression of ideas.</em></strong></p>
<p>What are we doing when we engage in the activity and publishing of art or ideas? Here I&#8217;m using &#8216;Art&#8217; in an extremely broad sense, far more broad than is typical. I&#8217;d qualify anything from fiction, non-fiction, painting, journalism, photography, patents, or proofs; intangible, or seemingly intangible property is what I would call &#8216;Art&#8217;. This exchange of ideas as the step before we apply or manifest them as physical objects. Admittedly, this applies to any set of ideas about the world.</p>
<p style="text-align: center;"><a href="http://flickr.com/photos/la_bretagne_a_paris/2163059244/"><img style="vertical-align: middle;" src="http://farm3.static.flickr.com/2032/2163059244_c030bba06f_m.jpg" alt="" width="240" height="180" /></a></p>
<p>However, for the sake of simplicity, let&#8217;s deal with Intellectual property in the space of &#8216;Art&#8217;. This is admittedly up for grabs, and even slightly contentious in terms of what property in general is. I feel as though property, in general, is property. However, that&#8217;s not to be argued here. The focus here is on ideas, and intellectual property, whatever that means.<span id="more-227"></span></p>
<p><strong><em>The Social Framework is Defined by the Expression of Ideas</em></strong></p>
<p>Art, Ideas, whatever it is, Expression in general is how we articulate and navigate the world. Our perception of the world is not a passive activity, we are not merely being changed by the incoming information from the world, we meet this incoming information with a rich and vast range existing commitments. The expressions hit with some resistance, a slight give, rather than being entirely absorbed. We are ever acting on and dealing with the dialogue between those incoming interests with one&#8217;s own existing interests. My writing to you now is framing things in such a way to be, or attempt to be, understandable and clear. I have certain commitments about the world, and hope that these commitments are coming across for your own processing.</p>
<p style="text-align: center;"><a href="http://flickr.com/photos/nolageek2/529393224/"><img style="vertical-align: middle;" src="http://farm2.static.flickr.com/1148/529393224_00093bf0cd_m.jpg" alt="" width="240" height="181" /></a></p>
<p>What we do articulates to world around us, informing and educating even if it is only slightly. Our experiences are rich, and have been informed by expressions in the public framework. The social structure articulates the world around us. The expression of ideas is what this is. Talking, painting, writing, thinking, any thing that we are doing is articulating and building upon  the world as perceived. Our influences are vast and complex and our responsibility to present those influences and ideas in such a way that is positive or at least constructive is extremely important.</p>
<p><strong><em>Therefore, The Importance of Good Art and The Misappropriation of Ideas</em></strong></p>
<p>Keeping in mind that there has been a great deal of philosophical backing to this notion of <a href="http://blueandbrownbooks.com/category/a-cat-named-schrodinger/">Social Framework and the relation to Personhood</a>.</p>
<p>Given this definition of art as an internal dialogue, while also being an important informant to the way the world is structured, it is extremely fragile. Ideas are vulnerable but important to the way of communication and education. What does it say about a social system, or a person who is interested in the protection and attribution of that work for monetary or populous gains?</p>
<p>The protection or attribution of our ideas from further duplication, sale, or otherwise seeks to break that connectivity of social framework, and cloud the intention of legitimate contribution to the humanist project. The current system of property right is not compatible with the operations of our consciousness, and therefore does not seek to further cultivate the expression of our ideas.</p>
<p style="text-align: center;"><a href="http://farm1.static.flickr.com/13/18996320_5b688eac77_m.jpg"><img style="vertical-align: middle;" src="http://farm1.static.flickr.com/13/18996320_5b688eac77_m.jpg" alt="" width="240" height="170" /></a></p>
<p>If a person is a kind of conglomerate of the existing social structure, constituted by the social objects and obstacles therein, how is it that what I&#8217;ve created just now with this brush, or with this guitar is mine?</p>
<p>If we mistake the idea of intellectual property protection as valuable in its exchange-value (monetary) and rely less and less on its value of utility (as a part of the common intellectual creative process we are all engaging in) then we are no longer making an expression of any important content aside from publishing it as a &#8216;buy-able&#8217; object. Art and Ideas become very closed off from the realm of fragile education or, it further reinforces the importance of monetary gains and competition between valuable things. Art (ideas) ought not to be thought of as a lottery ticket.</p>
<p>The exchange of ideas ought to be taken very seriously, as everything we “put out” is in one form or another, structuring the environment in which we and everyone else must live in. We, each of us, pee in the same pool, if you will. The idea here is that everything we do/make/say/think goes somewhere and does something.</p>
<p>Why are we worried about the sale of our art? Why are we worried about the theft of our art? Are without it if it is copied? Ask instead what we make it for in the first place.</p>
<p><strong><em>The Cost of Art</em></strong></p>
<p>We ought to be paying or supporting the method of production rather than the object produced. Not only then is this a case made against the monetization of &#8216;art&#8217; but it is a case against it really being yours. Forms of property and ownership do not represent how our consciousness, and how our interactions with other consciousnesses and the environment at large go on.</p>
<p style="text-align: center;"><a href="http://flickr.com/photos/superrabbit/319538424/in/photostream/"><img style="vertical-align: middle;" src="http://farm1.static.flickr.com/132/319538424_5a2d8e64b6_m.jpg" alt="" width="240" height="180" /></a></p>
<p>There is nothing necessarily wrong with monetary compensation from the ideas we make and the art we publish, but the system of paying for content, rather than paying for the access or venue to receive or take in that content are two different things entirely.</p>
<p>Personally, I take issue with paying for music in physical or digital form, but I would NEVER think twice about paying to go to a live show of that same artist I would otherwise not have had interest in.</p>
<p>Ideas are made from our activity in the world. To be a full-time artist is to miss the point of being a participant in, and making our criticism of the world.</p>
<p><strong><em>The Creative Commons, GNU, Copyleft</em></strong></p>
<p>This is, I think, the philosophical framework for why open source philosophy in software/hardware production is such a benefit. Also for why programs like the Creative Commons, or the GNU notion of “Copyleft”. That we share information openly, and charge or donate for actual labour, maintenance, consultation or otherwise. That we are aware of where and how we receive the content, and provide accordingly for it, but have no commitment to the content itself.</p>
<p style="text-align: center;"><a href="http://flickr.com/photos/franzlife/298169221/"><img style="vertical-align: middle;" src="http://farm1.static.flickr.com/102/298169221_885ae03521_m.jpg" alt="" width="240" height="180" /></a></p>
<p>The CC is a platform that plays directly to the expression of ideas as explained above. A platform in which is intrinsically based and supportive of this kind of dialogue. That we might openlly allow access with subsequent links to places and areas in which the discussions about those ideas take place. Again, the current system of property right is not compatible with the operations of our consciousness, and therefore does not seek to further cultivate the expression of our ideas. The Creative Commons, in contrast, not only allows but endorses the share-ability and non-commercialness of an authentic dialogue of ideas.</p>
<p><strong><em>Open and Public</em></strong></p>
<p>A Person is not a person without other people. There is no real I, we&#8217;re confusing that where we come from is already away from an isolated individualism. The internet culture of myspace and amateurness is admittedly narcissistic, but there is no such thing as meaninglessness. If people say it, they mean it in some facet. The connectivity among human beings is what busts out of this libertarian angle on “Internet Culture”.</p>
<p style="text-align: center;"><a href="http://flickr.com/photos/elfriqui/262196752/"><img style="vertical-align: middle;" src="http://farm1.static.flickr.com/89/262196752_20a2a5fc99_m.jpg" alt="" width="168" height="240" /></a></p>
<p>If we look hard at people who are passionate about what they are writing or saying or doing, you will indeed find a legitimate kind of compulsion to share and build and figure “it” (whatever “it” is) out. It might be masterbation, but even masterbation has the benefit of being self-practice or self-exploration.</p>
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		<item>
		<title>Holism</title>
		<link>http://blueandbrownbooks.com/2008/03/02/holism/</link>
		<comments>http://blueandbrownbooks.com/2008/03/02/holism/#comments</comments>
		<pubDate>Sun, 02 Mar 2008 13:11:08 +0000</pubDate>
		<dc:creator>aaron</dc:creator>
		
		<category><![CDATA[A Cat Named SchrÃ¶dinger]]></category>

		<category><![CDATA[holism]]></category>

		<guid isPermaLink="false">http://blueandbrownbooks.com/2008/03/02/holism/</guid>
		<description><![CDATA[I really enjoyed working on the A Cat Named SchrÃ¶dinger series on epistemology, and I hope it will continue. However, lately I&#8217;ve been interested in how those epistemological commitments explored are expressed and developed as applied to our daily lives. I&#8217;ll be calling this new series &#8216;Holism&#8217;, as in developing the ideals to be holistic, [...]]]></description>
			<content:encoded><![CDATA[<p>I really enjoyed working on the <a href="http://blueandbrownbooks.com/category/a-cat-named-schrodinger/">A Cat Named SchrÃ¶dinger</a> series on epistemology, and I hope it will continue. However, lately I&#8217;ve been interested in how those epistemological commitments explored are expressed and developed as applied to our daily lives. I&#8217;ll be calling this new series &#8216;Holism&#8217;, as in developing the ideals to be holistic, or wholly coherent in their application.</p>
<p><img class="alignright" style="float: right;" title="599px-the_earth_seen_from_apollo_17.jpg" src="http://blueandbrownbooks.com/wp-content/uploads/2008/03/599px-the_earth_seen_from_apollo_17.jpg" alt="" width="200" height="200" align="right" /></p>
<p>This entire blogging project has been more about archiving the development of my thinking in a semi-academic way, taking seriously thought and reasons and history. I am still very much open to it changing. However, after having some time to read and write and work on these ideas, I only have some flimsy understanding of how to apply them in the &#8220;real world&#8221; (whatever that means). It has, and will continue to be, a drafting process for something larger. Books, papers, theses, etc. so please bear with me. As the reader, I hope you feel a compulsion to not let me get away with anything. I like to consider this entire experience as a kind of directed reading with Aaron, and I&#8217;d like to develop it to be even more interesting in that regard.<span id="more-233"></span></p>
<p>In the next few days I&#8217;ll start out with a discussion of property in general, and intellectual property in particular. I hope you can find something to take away from it. In the meantime, let&#8217;s talk a bit more about Holism. For one, I&#8217;m not sure of this term, and before we even begin, I just want you to know that I don&#8217;t really understand the historical context that this term has. Any -ism&#8217;s that are attached to it might not be at all what I&#8217;m trying to get at.</p>
<p>A lot of my time goes in to the study of language theory, philosophy and social/political thought. I spend so much of my energy on these things for finding specific reasons and justifications for how to live better and have better ideas for how to operate on the level of public policy.</p>
<p>To stay <a href="http://en.wikipedia.org/wiki/Holism#In_philosophy">holistic</a>, I am committed to certain ideals politically such as universal health care, labour tendencies to support unions, or a personal contribution of vegetarianism. I find that all of these actions are coherent and necessary to stay consistent with the foundational claims I&#8217;m making about human beings, aligning and understanding of person-hood with a prescriptive outline of how we ought to be living.</p>
<p>This is admittedly a huge project, but in keeping with the epistemic commitments that I&#8217;ve begun (and will continue) to outline (please see the <a href="http://blueandbrownbooks.com/category/a-cat-named-schrodinger/">A Cat Named SchrÃ¶dinger</a> series, and the <a href="http://blueandbrownbooks.com/2007/11/15/on-freedom-of-will/">On Freedom of Will</a> post) my own personal development is not just for my own person, it is from and for the socio-economic system as a whole. However grandiose that sounds, I think that our expressive narratives and interpretations about the world are what constitute it entirely (which I hope to make a case for as this new series develops). We are never <em>really</em> alone in our development and our communities are as much a part of us, as we are of them.</p>
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